Course Syllabus

I. Prélude

In this first lesson, extraordinary violist and Takács Quartet member Richard O'Neill explores the "Prelude" of Bach's Suite No. 3 in C major. O'Neill focuses on the movement's dynamic energy and expansive phrasing, guiding you through the interpretation of its bold and resonant character. He offers insights into bowing techniques and articulation, helping you bring out the full depth and brilliance of this opening movement.

II. Allemande

Richard O'Neill delves into the "Allemande," a movement known for its flowing and intricate lines. In this lesson, O'Neill emphasizes the importance of phrasing, timing, and expressive nuance, teaching you how to navigate the lyrical qualities and rhythmic subtlety of the Allemande. He provides tips on fingerings and bow control to help you achieve a smooth, elegant performance.

III. Courante

In this lesson, Richard O'Neill guides you through the lively "Courante," a movement characterized by its quick tempo and rhythmic vitality. O'Neill discusses the balance between maintaining a steady pulse and bringing out the playful, dance-like qualities of the Courante. His instruction focuses on articulation, bow distribution, and maintaining clarity in the faster passages.

IV. Sarabande

Richard O'Neill offers a deep dive into the "Sarabande," a movement that demands emotional depth and sensitivity. O'Neill explains how to create a resonant, expressive tone and emphasizes the importance of dynamics and vibrato in conveying the Sarabande's introspective character. This lesson provides techniques to help you deliver a performance that is both heartfelt and technically refined.

V. Bourrée I & II

In this lesson, Richard O'Neill covers the contrasting "Bourrée I & II," focusing on their distinct characters and how to transition smoothly between them. O'Neill discusses the articulation and phrasing needed to highlight the buoyant nature of Bourrée I and the more reflective quality of Bourrée II. He provides practical tips for managing the changes in mood and texture between these two connected movements.

VI. Gigue

Richard O'Neill wraps up his detailed exploration of the individual movements with the "Gigue," a lively and rhythmically complex finale. In this lesson, O'Neill emphasizes the importance of maintaining a consistent tempo while capturing the joyful spirit of the Gigue. He offers strategies for clear articulation and rhythmic accuracy, ensuring that your performance of this movement is both vibrant and technically secure.

Performance

In this final lesson, Richard O'Neill presents a full performance of Bach's Suite No. 3 in C major, playing through all the movements without commentary. This performance serves as both an inspiration and a model, showcasing O'Neill's interpretative choices and technical mastery, allowing you to experience the suite as a cohesive and powerful work.